Scherzo Diabolique

On Friday 2nd June, as part of the summer lunchtime concert series in St Mary’s Collegiate Church, Warwick, Mark Swinton and I will give the world premiere performance of Scherzo Diabolique, composed for us by David Briggs. David is one of the foremost concert organists of his generation and is in demand both as a performer and composer.

“It is a privilege to have been asked to write a new piece for brilliant violinist Lucy Phillips and her accompanist, Mark Swinton. Works for Violin and Organ are actually quite few and far between: we have the beautiful Epistle Sonatas of Mozart (strings and organ obligato), a stunning work by Karg-Elert (for violin, female voices and organ) but that is about it. My new Scherzo Diabolique is intended to be a showpiece for the virtuosity of both performers. The violin part is fast and mainly rather furious, exploring the extremities of the instrument. The work is over in between four and five minutes, rather like the kaleidoscopic finale of a firework-display. I hope performers and audience will enjoy it!” (David Briggs, 2017)

The full concert programme is:

J.S.Bach – Jesu Joy of Man’s Desiring and Erbarme dich

Biber – Passagalia

Mascagni – Intermezzo

Karg-Elert – Sanctus

Vaughan Williams – Pastorale

Briggs – Scherzo Diabolique

The concert begins at 1.15pm and entry is free. Visit the website of St Mary’s Church, Warwick for more information about the concert series.

 

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Musical treats during a cold November

As the temperatures drop there are a number of musical events to look forward to. This evening I will be performing in the beautiful setting of Worksop College Chapel in a candlelit Solemn Eucharist for St Cecilia. The service will be led by Rev’d Paul Finlinson (Chaplain of Worksop College) and the music directed by Timothy Uglow. The main work will be Haydn’s Little Organ Mass and it will be performed by a small ensemble of musicians (strings and organ), as originally intended. The mass dates from around 1775 and is a concise work, which was necessary for practical reasons at the time. Haydn manages to compress the Gloria and Credo by allowing different vocal parts to carry different lines of the text simultaneously. In the original version the Gloria is only 31 bars, which is quite an extreme example of the practice, so Michael Haydn (his younger brother) later composed a longer version of the movement. The service will also include Purcell’s Rejoice in the Lord Alway and Puccini’s Requiem. The service begins at 8.45pm and entry is free.

st-cecilia

On Tuesday 15th November I’m delighted to have been asked to give a short solo performance as part of the Sheffield Year of Making Showcase at the Crucible Theatre, coordinated by Sheffield Culture Consortium. It will be an afternoon celebrating local creativity and talent and there will be presentations from all sectors. Tickets are free and can be reserved through the Sheffield City of Makers website. I look forward to presenting some joyous Bach and Monti’s fiery Czardas.

Autumn music in Sheffield

There are two opportunities to see me perform in Sheffield on Saturday 15th October: at 4pm in the Winter Gardens and at 8pm in St Andrew’s Church, Psalter Lane.

Following on from the highly successful Classical Sheffield Festival last autumn, the organisation is hosting a weekend of pop-up performances in Sheffield’s Winter Gardens. The line-up features an extremely wide range of music, and there will be appearances by The Abbeydale Singers, Platform 4 and The Beekeepers Chamber Folk Group to name but a few. I will give a short solo performance at 4pm including excerpts from Bach’s E major Partita and Biber’s haunting Passagalia, considered by many to be the most important work for unaccompanied violin before Bach. Entrance to the gardens is free.

In the evening I will be at St Andrew’s Church, Psalter Lane for a concert with Black Velvet Clarinet Quartet and on this occasion I will be accompanied by my dad, Roy Phillips. My contribution to the programme includes Mozart’s Sonata for piano and violin in G major, K.301 and Schumann’s Romance in A, Op. 94 no. 2. I am also particularly looking forward to performing the Romance by Karol Szymanowski; written in the autumn of 1910, after the completion of his second symphony, the work is extremely passionate and full of rich chromatic harmony. At this time Szymanowksi was influenced by the music of late-Romantic composers such as Richard Strauss and Wagner, as well as Scriabin and Chopin.

Black Velvet Clarinet Quartet, which was formed in 2012 and essentially comprises the clarinet sections of the Sheffield Chamber Orchestra and the Sheffield Philharmonic Orchestra, will perform works dating from the Renaissance to the present day. Some are transcriptions of well-known pieces, such as Brahms’ Hungarian Dance no.5 and Oblivion by Astor Piazzolla, whereas some were written especially for clarinet quartet. Caprice, by american composer Clare Grundman (1913-1996), is one of a number of pieces he wrote for clarinets. He is best known for his works for symphonic wind band, such as the American Folk Rhapsodies.

The concert begins at 8pm and door open from 7.30pm. Tickets will be available on the door priced £12/£8 concessions. There will be a short interval during which refreshments will be served.