This week I braved Snake Pass for the first time and travelled to Rochdale, where, fuelled by some delicious cheese and onion pie provided by the church, David and I performed sonatas by Franck and Mendelssohn to an appreciative audience in St Mary in the Baum.
As the saying goes, there’s no rest for the wicked, and I am straight on to preparing for my next performance in a couple of weeks. The programme will be Haydn’s Trio in G major ‘Gypsy Rondo’, Giordani’s Duetto I, Grieg Andante con moto and Revolucionario by Astor Piazzolla. I will be joined by Catherine Strachan (cello) and David Hammond (piano) both of whom studied at the University of York at the same time as me.
The Grieg is a particularly interesting piece. Composed in 1878, the same year as the G minor string quartet, it is a single-movement work, probably the beginnings of a complete piano trio. It was discovered after his death by his friend and colleague Julius Rontgen, but, like the Mendelssohn sonata I performed this week, it was not published until more recently, in the complete Grieg edition of 1978. The whole movement is constructed from a single theme which uses just 6 notes, but at the same time includes a huge amount of variety in its tonality, texture, use of instruments and tempo. Rontgen wrote: “What a solemnity it conveys! How he can’t get enough of that single theme, that even in the major mode retains its mourning character, and then develops so beautifully its full power”.
Grieg is one of my favourite composers and in the past I have performed two of his violin sonatas (G major and C minor), so I am very much looking forward to presenting this trio in Chesterfield Library. The concert begins at 11.45am and entry is free.